Dickinsons The Spider holds a Silver Ball Essay -- Dickinson analysis

Dickinsons The rover holds a Silver BallParadox baffles and inspires thinkers because it wipes out the greatest of conclusions, puts us intimately in touch on with the very reputation of inexplicable feeling, both simultaneously implodes and explodes the wit, and of course induces a certain sensation, as Dickinson puts it, as if the top of my head were taken off. It seems to me that in artistry this is the fix we desire, where sensation obliterates logic. Dickinsons poetry is one of the few places I have so far found the paradoxic tendency so profoundly expressed. Therefore, I exit take up the notion of paradoxic tension created by Dickinson, her method of dealing with the inner and the outer, expansion and contraction, the creation and destruction of boundary, and the mysterious guidances in which these things interact, curiously through the symbol of the wanderer. In The Spider holds a Silver Ball, the spider, as creator, as weaver, contains In unperceived Hands (2 ) a glimmering intermediate of magic. From this property ball, creation spins outward. The spider, viewed as poet, weaves outward from the center of inspiration. The hands are both somehow there and not there as they delicately uncompress this intangeble and Silver mass. The description of the invisible in physical terms characterizes one method by which Dickinson weaves paradox. The idea of the spider dancing portrays an outward movement, still Dickinson with a few words suddenly makes this action inward and private dancing softly to Himself (3). The first stanza confirms the portrait of an unperceived artist performing her art externally and we find a sense of what art means to Dickinsonan outward gesture which originates in some unknown, private and inner pl... ...rtist accomplishes informing herself of the inexplicable nature of the mind through the strategy of physiognomy (8-9) or revealing the inner aspects outwardly. Dickinson reveals the intangible through physical me ans her language uses hard images such as the spider and the silver ball to outwardly communicate the boundless capacity of inner emotion and feeling. In the process she must create boundary, it is the only way to formulate the unexplainable feelings with which the mind occupies itself however, her next move is to destroy the very boundaries that she creates, showing just where and how these feelings originate, bringing them back. Physiognomy is clearly the Dickinson strategy, and it is that last line of A Spider sewed at Night that Dickinson stands up and proclaims, I am the spider and the spider is me and we are both everything and nothingso there. Dickinsons The Spider holds a Silver Ball Essay -- Dickinson analysisDickinsons The Spider holds a Silver BallParadox baffles and inspires thinkers because it wipes out the greatest of conclusions, puts us intimately in touch with the very nature of inexplicable feeling, both simultaneously implodes and explodes the mi nd, and of course induces a certain sensation, as Dickinson puts it, as if the top of my head were taken off. It seems to me that in art this is the fix we desire, where sensation obliterates logic. Dickinsons poetry is one of the few places I have so far found the paradoxic tendency so profoundly expressed. Therefore, I will take up the notion of paradoxic tension created by Dickinson, her method of dealing with the inner and the outer, expansion and contraction, the creation and destruction of boundary, and the mysterious ways in which these things interact, especially through the symbol of the spider. In The Spider holds a Silver Ball, the spider, as creator, as weaver, contains In unperceived Hands (2) a glimmering medium of magic. From this silver ball, creation spins outward. The spider, viewed as poet, weaves outward from the center of inspiration. The hands are both somehow there and not there as they delicately unwind this intangeble yet Silver mass. The descriptio n of the invisible in physical terms characterizes one method by which Dickinson weaves paradox. The idea of the spider dancing portrays an outward movement, but Dickinson with a few words suddenly makes this action inward and private dancing softly to Himself (3). The first stanza confirms the portrait of an unperceived artist performing her art outwardly and we find a sense of what art means to Dickinsonan outward gesture which originates in some unknown, private and inner pl... ...rtist accomplishes informing herself of the inexplicable nature of the mind through the strategy of physiognomy (8-9) or revealing the inner aspects outwardly. Dickinson reveals the intangible through physical means her language uses hard images such as the spider and the silver ball to outwardly communicate the boundless capacity of inner emotion and feeling. In the process she must create boundary, it is the only way to explain the unexplainable feelings with which the mind occupies itself however, her next move is to destroy the very boundaries that she creates, showing just where and how these feelings originate, bringing them back. Physiognomy is clearly the Dickinson strategy, and it is that last line of A Spider sewed at Night that Dickinson stands up and proclaims, I am the spider and the spider is me and we are both everything and nothingso there.